Cinema Al-Rashid: The Lost Visual Memory of Tripoli
05.03.2026
Osama Al-Fitouri: Work in Libya Was the Most Enjoyable and the Most Challenging
27.02.2026
Libya in Global Cinema: Between Misrepresentation and the Absence of Self-Narrative
12.02.2026
Sara Ben-Saud: Filming in Libya wasn’t possible because the insurance company wouldn’t cover production costs
05.02.2026
À toi Jeddi (Dear Grandad): On a Libyan Identity in the Desert of Identities
29.01.2026
Berenice Cinema: The End of a Century of Benghazi’s Visual Memory
22.01.2026
Abdulaziz Lamlum: If You Can Produce a Film in Libya… You Can Produce It Anywhere in the World
15.01.2026
The Message: A Cinematic Reading Between the Sacred and History
08.01.2026
Faraj Mayouf: For Me, Cinema Is Not a Luxury, but a Mirror of the People
01.01.2026